Amorphous, formless

Stoneware.

The fine ceramic vessels of ancient Greece are icons that become the basis of this research study over time. In this case, the physicality of the vase is denied; the light, buoyant construction represents the human desire to overcome the difficulties of the body and is employed not to construct a solid vase, but its contour. Space is defined by the contour, like the space enclosed by the womb. The language of ceramics has evolved into a rarefied condition in which all that remains are the lines and contours, demarcating the empty spaces that confine.